{"id":171,"date":"2024-04-23T17:48:32","date_gmt":"2024-04-23T17:48:32","guid":{"rendered":"https:\/\/teamc.techcommhk.com\/yundimusic2\/?p=171"},"modified":"2025-03-21T04:39:29","modified_gmt":"2025-03-21T04:39:29","slug":"yundi-li-joue-mozart","status":"publish","type":"post","link":"https:\/\/teamc.techcommhk.com\/yundimusic2\/yundi-li-joue-mozart\/","title":{"rendered":"Yundi Li joue Mozart"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"884\" height=\"790\" src=\"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-content\/uploads\/2024\/04\/Group-38.png\" alt=\"\" class=\"wp-image-313\" srcset=\"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-content\/uploads\/2024\/04\/Group-38.png 884w, https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-content\/uploads\/2024\/04\/Group-38-424x379.png 424w, https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-content\/uploads\/2024\/04\/Group-38-341x305.png 341w, https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-content\/uploads\/2024\/04\/Group-38-300x268.png 300w, https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-content\/uploads\/2024\/04\/Group-38-768x686.png 768w, https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-content\/uploads\/2024\/04\/Group-38-200x179.png 200w\" sizes=\"(max-width: 884px) 100vw, 884px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">La\u00a0<em>Sonate en La mineur K\u00a0310<\/em>, \u00e9crite \u00e0 Paris en mai 1778, alors que Mozart s&#8217;y sent bien isol\u00e9, se ressent d&#8217;une d\u00e9tresse int\u00e9rioris\u00e9e. \u00c0 l&#8217;Allegro maestoso, pris ici soutenu dans son rythme de marche r\u00e9solue, qui, selon les Massin, traduit \u00ab\u00a0<em>une agitation presque continue<\/em>\u00a0\u00bb, le climat dramatique est perp\u00e9tu\u00e9 au long des transformations du th\u00e8me dans ses formes les plus affirm\u00e9es. Ce que confirme l&#8217;Andante cantabile con espressione, l\u00e0 o\u00f9 perce une \u00ab\u00a0<em>fa\u00e7on de sugg\u00e9rer le tragique sans l&#8217;appuyer<\/em>\u00a0\u00bb (ibid.). Et le Presto final, de sa tournure agit\u00e9e, presque oppressante, dissimule \u00e0 peine le tragique. <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">M\u00eame si le contraste avec la section centrale, plus d\u00e9tendue, est joliment soulign\u00e9 par Yundi, qui par ailleurs fait montre d&#8217;une belle retenue. La\u00a0<em>Sonate en La majeur K\u00a0331<\/em>, con\u00e7ue \u00e0 Salzbourg, en 1783, si c\u00e9l\u00e8bre eu \u00e9gard \u00e0 son dernier mouvement, n&#8217;atteint pas la m\u00eame profondeur. Son charme provient de sa construction inhabituelle. L&#8217;Andante grazioso d\u00e9ploie un sch\u00e9ma de variations \u00e0 partir d&#8217;un th\u00e8me emprunt\u00e9 \u00e0 un chant populaire d&#8217;Allemagne du sud, o\u00f9 le pianiste chinois montre aussi bien sa verve dans les traits rapides qu&#8217;une grande douceur dans les pages plus lentes. La fluidit\u00e9 du Menuetto respire un esprit de b\u00e9atitude non exempt d&#8217;affirmation de puissance, tandis que contraste la section trio, inspir\u00e9e d&#8217;un th\u00e8me de l&#8217;<em>Orph\u00e9e\u00a0<\/em>de Gluck. L&#8217;Allegretto du Rondo Alla Turca, joliment enlev\u00e9, est ici un rien boost\u00e9 dans ses r\u00e9p\u00e9titions, du meilleur effet.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Premier pianiste chinois \u00e0 avoir remport\u00e9, en 2020, le prestigieux Concours Chopin de Varsovie, Yundi Li se tourne vers Mozart. Avec ce g\u00e9n\u00e9reux CD, il offre un bouquet de sonates, montrant une r\u00e9elle affinit\u00e9 pour l&#8217;\u00e9criture du g\u00e9nie de Salzbourg.<\/p>\n","protected":false},"author":1,"featured_media":36893,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-release"],"acf":[],"_links":{"self":[{"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/posts\/171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/comments?post=171"}],"version-history":[{"count":8,"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/posts\/171\/revisions"}],"predecessor-version":[{"id":38724,"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/posts\/171\/revisions\/38724"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/media\/36893"}],"wp:attachment":[{"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/media?parent=171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/categories?post=171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teamc.techcommhk.com\/yundimusic2\/wp-json\/wp\/v2\/tags?post=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}